Exploring asexuality in cinema: the case of “Slow”

The incidents of people who do not feel sexual appeal have mainly been hidden on screen – even as characters from Sherlock Holmes to Barbie have been portrayed as asexual. But a new fantasy is shining a light on them.
The incidents of people who do not feel sexual appeal have mainly been hidden on screen – even as characters from Sherlock Holmes to Barbie have been portrayed as asexual. But a new fantasy is shining a light on them.

The incidents of people who do not feel sexual appeal have mainly been hidden on screen – even as characters from Sherlock Holmes to Barbie have been portrayed as asexual. But a new fantasy is shining a light on them.

Introduction 

Cinema, with its visual and aural storytelling, has the power to represent diverse identities and experiences. However, the depiction of asexuality, an orientation defined by the absence of sexual attraction, remains scarce in film. 

This article explores the challenges of representing asexuality on screen and highlights the groundbreaking film “Slow” as a notable exception.

Understanding Asexuality 

Asexuality, defined by The Asexual Visibility and Education Network (AVEN), refers to individuals who do not experience sexual attraction. While studies suggest that approximately 1% of the global population identifies as asexual, stigma and varying experiences complicate accurate measurement.

Diverse Experiences 

Asexuality encompasses a spectrum of experiences. Some individuals may have romantic inclinations, while others identify as aromantic. 

Some may engage in sexual activity, while others abstain entirely. These diverse experiences challenge conventional portrayals of intimacy in cinema, which often prioritize sexual desire.

The Pioneering Film “Slow” 

“Slow,” directed by Marija Kavtaradzė, stands out as a pioneering exploration of intimacy devoid of sexual attraction. The film premiered at the Sundance Film Festival and received acclaim for its nuanced portrayal of romantic connection. The narrative revolves around Elena, a professional dancer, and Dovydas, a sign language interpreter who identifies as asexual.

Challenges and Representation 

While mainstream cinema often assumes allosexuality as the norm, “Slow” challenges this assumption by foregrounding a romantic encounter between characters navigating intimacy without sexual desire. The film prompts viewers to question traditional notions of desire and intimacy, offering a rare portrayal of asexuality on screen.

Conclusion 

“Slow” exemplifies the potential of cinema to broaden representation and challenge societal norms. By depicting a romantic relationship between characters with divergent experiences of desire, the film contributes to greater visibility and understanding of asexuality. 

As discussions around diversity and inclusion in cinema continue to evolve, “Slow” serves as a compelling example of nuanced storytelling that celebrates diverse identities and experiences.

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Jacob Brown

Jacob Brown, the Chief Editor at NY Guardian Magazine, brings over a decade of media experience to his role. Renowned for his editorial integrity and commitment to excellence, Jacob has elevated the magazine with insightful analysis and comprehensive news coverage. His passion for investigative journalism and storytelling shapes the magazine's mission to inform and inspire its global readership.

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